Within the phrases of Sabrina Carpenter, “I’m a busy girl.” And nothing will get me by means of the day like an exquisitely curated playlist. And through this Girls’s Historical past Month, my playlists are filled with anthems by the women and for the women.

Over the previous few weeks, I’m not the one one getting impressed by girly pop anthems. I went to a pilates class on Worldwide Girls’s Day, the place the teacher solely performed hits by our favourite pop ladies. I’ve by no means been so motivated in a Pilates class. I obtained a second wind like no different and the vibes have been so immaculate — plus, listening to Gracie Abrams whereas attempting to get Gracie Abrams abs works wonders to your intentionality and resilience.

It additionally doesn’t damage that we kicked off the month on the heels of a female-artist-dominated Grammys ceremony. The ladies are girling and the trade is recognizing it. The 2025 Grammy Awards felt just like the slumber celebration scene in The Princess Diaries 2 — ladies throughout all genres celebrating one another and looking out wonderful whereas doing it. Girls didn’t simply sweep main classes; they outlined the sound of the 12 months (that’s nation pop in the event you’ve been below a rock), dominated the charts, and set new cultural heights.

Perhaps it’s as a result of Drake met his downfall and his songs are not dominating the radio that there’s lastly area on the prime of the charts. Perhaps it’s due to the horrible political state that tradition has been popping off to recompense. Perhaps it’s one thing to do with astrology. The celebrities are aligning for pop ladies to get their flowers in all sections of the trade, from Charli XCX’s lengthy overdue celebration woman anthems to Chappell’s Sapphic belters.

The Grammys acknowledged this vary. The evening’s prime honors went to ladies throughout genres: Beyoncé claimed Album of the Yr for Cowboy Carter, a genre-bending sequel to her dance-inspired oeuvre. Sabrina Carpenter took house Greatest Pop Vocal Album of the Yr for Quick N Candy. Charli XCX left with the Grammy Award for Greatest Dance Pop Recording. Doechii is the second girl ever to win Greatest Rap Album with Alligator Bites By no means Heal — and stole everybody’s coronary heart along with her dazzling character. In a single thrilling flip, Chappell Roan received Greatest New Artist and used her platform to talk up for healthcare within the trade.

The evening was a testomony to the artistic dangers ladies are taking — and the overwhelming impression of their artistry. From pop powerhouses to genre-blurring innovators, feminine artists are lastly taking middle stage and acknowledging the work it took to climb the mountain.

That is what resonates most with me concerning the present music panorama. These feminine artists didn’t come out of nowhere. Charli has been behind the most important hits for a decade and was beloved in area of interest music communities earlier than lastly turning into a family identify. Sabrina launched six studio albums earlier than lastly capturing the world’s consideration final summer time — touchdown a canopy on Vogue — by embracing her position as pop’s Polly Pocket Princess. Chappell Roan’s inspiring story took her by means of the trade’s highs earlier than a banner 12 months — all with out having to compromise her imaginative and prescient. Doechii is comparable  — exploding onto the scene after years of effort. And Queen Bey — who’s been a singular sensation since her teenage years— lastly obtained her due.

This 12 months ladies are claiming their area and basking of their success. They’re not enjoying small whereas inspiring me to not settle.

From the return of icons like Woman Gaga and Beyonce to the daybreak of recent faces like Gracie Abrams and Rachel Chinouriri — who obtained their begin opening for Taylor Swift and Sabrina Carpenter earlier than popping off — we’re getting soooo a lot wonderful music. And I’ve it all on repeat.

24/7, I’m listening to bangers by the women and solely the women. Right here’s a have a look at the standout songs which are on my Girls’s Historical past Month playlist and can undoubtedly find yourself on my Spotify Wrapped:

Sabrina Carpenter – “15 Minutes”

In “15 Minutes”, Sabrina Carpenter talks on to the haters and individuals who suppose she’s destined for less than quarter-hour of fame. In her signature suggestive type, she sings: “I can do lots with quarter-hour.” It’s a testomony to her self-awareness and a shimmering, pop-infused center finger to those that doubt her longevity. It’s inspiring to anybody who’s ever been underestimated — so just about all ladies the world over.

Chappell Roan – “The Giver”

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Get up, ladies! The most recent Chappell Roan simply dropped. Recent and enjoyable, “The Giver” provides precisely the luxurious, Sapphic vibes we count on from our favourite artist’s favourite artist. Recent off acting at Elton John’s Oscar Celebration, Chappell delives. She faucets into her well-known theatrics, mixing synth-pop vitality with self-revelatory storytelling. The observe underscores her capability to weave private narratives with catchy hooks.

Doechii – “Anxiousness”

Doechii’s “Anxiousness” is a frenetic observe that mixes rap, punk, and different influences. It’s additionally the viral hit that has solidified her previous 12 months as probably the most iconic debut runs. The soundtrack to each Style Week TikTok, it’s a reminder of Doechii’s versatility. The music’s chaotic vitality mirrors the psychological spirals described in her lyrics, making a visceral expertise that speaks to anybody who’s struggled with overthinking and self-doubt. Her fearless experimentation cements her as considered one of 2025’s boldest voices. The observe samples the long-lasting 2012 observe “Any person That I Used to Know,” which she famously lined on her YouTube channel years in the past. Who else is doing it like Doechii?

Charli XCX, Lorde – “Woman, so complicated that includes lorde”

This remix blends Charli XCX’s hyperpop aesthetic with New Zealand singer-songwriter Lorde’s moody introspection. The consequence? A mesmerizing observe that captures the messiness of being a woman and our fixed confusion about grownup friendship. The duo’s contrasting types merge seamlessly, making a music that can without end be an anthem for girlhood. Right here’s to working it out on the remix!

Gracie Abrams – “Danger”

The most recent nepo child on the scene — Gracie Abram s— was an indie-pop fan fave earlier than her latest album and a gap spot on the Period Tour made her well-known. Danger sees Gracie Abrams commerce her signature sad-girl sound for one thing brash and mighty. The observe’s driving beat give her soft-spoken vocals actual weight, reworking her vulnerability into energy. It’s a standout for Abrams, marking her evolution from bed room pop darling to full-fledged pop powerhouse. It additionally encapsulates her life philosophy: taking headline-making dangers like her clear lyrics and her relationship with Paul Mescal.

Billie Eilish – “Birds of a Feather”

Billie Eilish’s “Birds of a Feather” is the pop ballad we’ve all the time wished from our resident unhappy woman. Sure, it’s nonetheless a haunting exploration of affection and attachment, however along with her belting choruses, Eilish takes it to the following degree. Discover me at karaoke or within the automobile belting: “I’ll love you til the day that I die.”

Tate McRae – “It’s OK, I’m OK”

They’re attempting to make Addison Rae the brand new It Woman. However after the discharge of her newest album — on the heels of a number of profitable singles — it’s clear the title goes to Tate McRae. The lead single and music video, “It’s OK, I’m OK,” make it clear that pop is again. She’s giving Britney and Nelly Ferraro whereas being undeniably Gen Z. And I like that her songs are about by no means needing a person. The “I don’t need him anyway, woman, take him” outro makes me chuckle out loud whereas singing alongside.

Rachel Chinouriri – “I’m Not Excellent However I’m Attempting”

Rachel Chinouriri’s infectious pop observe “I’m Not Excellent, However I’m Attempting” leans into her introspective lyrics and incandescent vocals. The music deftly captures the complexities of attempting to be good for somebody however in a lighthearted manner.

Olivia Dean – “It’s Not Excellent However It Would possibly Be”

Olivia Dean’s soulful voice shines in “It’s Not Excellent However It’s Mine,” a observe about embracing imperfection. She wrote it for the Bridget Jones: Mad In regards to the Boy film.  The music’s heat instrumentation and hovering lyrics remind listeners that self-acceptance is a journey. Her stage presence is every part, so I channel her diva vitality each single time I take heed to this music.

Ravyn Lenae – “Love Me Not”

After all, it took a TikTok music for individuals to get the memo about Ravyn Lenae. However I’m not mad about it. As a die-hard fan for shut a decade, I can’t blame individuals for grooving to “Love Me Not” from her new album. It showcases Ravyn Lenae’s ethereal vocals however retains issues lifted with a cool beat.  The observe’s delicate stability of R&B and different pop creates an intoxicating soundscape that’s surprisingly catchy.

Beyoncé – “Bodyguard”

The Queen of Pop — and now nation — can do no unsuitable. In “Bodyguard,” Beyoncé reminds us that she’s sturdy and horny on the identical time — and we might be, too. Over a rustic beat? Is there something this girl can’t do? Appears not!

Cat Burns – “GIRLS!”

Cat Burns is a shining Sapphic star within the British indie pop scene. In GIRLS!, she celebrates her love for women in an anthem about feminine need. The observe’s catchy beat and uplifting lyrics create a feel-good vibe that can get you out on the dance flooring and into *her* arms.

Woman Gaga – “Excellent Celeb”

Inform a pal to inform a pal that Gaga is again! In MAYHEM,  Mom Monster returns. And for “Excellent Celeb,” Woman Gaga goes all in with provocative lyrics and edgy manufacturing. Little Monsters, let this music encourage you to get again to your — and the Goddess of Pop’s — rebellious roots. We’d like extra weirdos!

JENNIE, Dua Lipa – “Handlebars”

The brand new JENNIE album has a celebrity shock: a collaboration with Dua Lipa. The 2 pop stars joined forces for a licensed banger. This collaboration blends JENNIE’s sultry vocals with Dua Lipa’s disco-inspired grooves. “Handlebars” may lastly be the summer time hit that proves Dua Lipa is so again.

Taylor Swift – “Responsible As Sin”

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Taylor Swift’s “Responsible As Sin” is a tragic banger.  With the Jack Antonoff background beats, it’s a 1989-era sound with Taylor’s new carefree élan. “Oh, what a solution to die,” Swift wails. It’s a music about remorse, but in addition about following your coronary heart. Needed to have a tragic woman music on right here to spherical it out for the women — all the women.