Trend’s Daring Play at Milan Design Week 2025
Throughout Milan Design Week 2025, a few of vogue’s largest manufacturers reworked town into their architectural playground, showcasing curated dwelling collections and shocking activations — from a classic prepare pop-up to designer gelato stops.
FENDI
Unveiled in its flagship retailer in Piazza della Scala, Fendi Casa’s Milan Design Week 2025 assortment honours the model’s a centesimal anniversary by fusing innovation and heritage. Fendi isn’t any stranger to interiors, having constructed the Fendi Casa model 17 years in the past when it debuted at Design Miami. As one could also be conscious, Fendi does luxurious vogue, however Fendi Casa produces luxurious furnishings — a full-fledged inside assortment comprising seating methods, sofas, eating tables and extra.
At Milan Design Week 2025, the model featured British designer Lewis Kemmenoe, the showcase introduced softer, natural designs and opulent, glittering gadgets, presenting a duality of clashing aesthetics.
Highlights had been Ceriani Szostak’s Later modular couch, Stefano Gallizioli’s Twist chair and the Fendi Cowl couch, which might be customised. Elsewhere, the home’s iconic “FF” brand will get reimagined in furnishings: the Efo espresso desk by Peter Mabeo softens the motif into sculptural curves, whereas the accompanying Efo aspect desk and cupboard (in yellow ceramic, wooden, or each) play with scale and materials stress.
JIL SANDER
Everyone seems to be speaking about Jil Sander — not simply due to Simone Bellotti’s current appointment as artistic director. This week marks a distinct type of return: the girl herself. A decade after stepping away from her eponymous label (for the third and presumably ultimate time), Jil Sander reemerges — not on a runway, however at Milan Design Week, in collaboration with storied German furnishings maker Thonet. The mission reimagines two Bauhaus design icons: the B 97 aspect desk (1933) and Marcel Breuer’s S 64 chair (1929), distilled into two new traces — Critical and Nordic.
Shiny metallic, darkish Viennese caning, and Italian bull leather-based in Bordeaux, black and olive all scream sexiness. Nordic is the fashionable equal, together with nickel frames, white-painted timber, and light-weight leather-based. Although minor, the modifications are clearly hers. A reminder that Jil Sander’s restraint remains to be related off the catwalk.
Longchamp
This isn’t the primary time the Parisian home has used Pierre Renart’s expertise (they began working collectively in 2021 with the now-iconic Wave espresso desk). Nonetheless, it’s the first to include Longchamp’s signature leather-based into the combo, presumably probably the most hanging. Pierre Renart’s most up-to-date collaboration with Longchamp makes two of probably the most substantial supplies in design really feel weightless.
The gathering contains the Wave banquette and a set of eight Ruban chaises — all crafted from American walnut and wrapped in supple Longchamp cowhide. Sinuous and fluid, they bend like ribbons, defying the rigidity of their supplies. Combined supplies have been having a second, however bringing this type of lightness to leather-based? That’s one thing else totally — catwalk, espresso desk or in any other case.
HERMES
This 12 months, Hermès moved purposefully and elegantly to the left when others zagged proper. At La Pelota, a pristine post-war swimming pool reworked right into a cathedral of sunshine, suspended vitrines (nearer to altars than show circumstances) maintain what the model calls “excellent objects.” There are mouth-blown glass tables and colored lights that solid delicate halos, however what actually stands out is what isn’t there: spectacle.
Hermès doesn’t tackle a mission except it will possibly grasp it, which is exactly why the French home has produced a few of Milan Design Week’s most subtly radical moments because it first started. Designed by Charlotte Macaux Perelman and Alexis Fabry, the gathering leans into suggestion, not simply objects but additionally the aura they depart behind.
D&G Casa
There aren’t many maximalist Mediterranean channels like Dolce & Gabbana, and the model’s interiors division, D&G Casa, totally realises the dream. Reside, snicker, la dolce vita. With glazed porcelain tableware and matching linens, its most up-to-date providing, Verde Maiolica, embodies southern Italy’s vibrantly inexperienced, citrus-infused essence in a riot of inexperienced. The D&G Casa flagship on Corso Venezia 7 has all the things on show, as a result of for Dolce, extra will not be extra — it’s merely the minimal.
Saint Laurent
Saint Laurent unveiled 4 beforehand unseen items of furnishings as a tribute to Twentieth-century design pioneer Charlotte Perriand. Below Anthony Vaccarello’s inventive steerage and in partnership with the Perriand archive, the works, which had been first conceptualised between 1943 and 1967, had been recreated from sketches and prototypes. The partnership pays homage to the home’s historical past whereas revitalising its design. That is an acceptable cross-temporal dialog as a result of Yves Saint Laurent personally appreciated and picked up Perriand’s work. The point of interest is the sculptured five-seat couch, La Banquette de la Résidence de l’Ambassadeur du Japon à Paris (1967), which was first created for the Japanese ambassador’s Paris condo. It’s a sensible, elegant, subtly radical instance of Perriand’s East-meets-West idea.
La Bibliothèque Rio de Janeiro (1962), a rosewood bookcase with sliding cane doorways that attracts inspiration from Brazilian shading strategies, and Le Fauteuil Visiteur Indochine (1943), a once-lost armchair from her time in Vietnam that has been reimagined with a tubular metal body, rosewood seat, and conventional Thai cushion, are additionally on show and obtainable in extraordinarily restricted editions. Ten piled layers of rosewood and cherrywood type a tabletop of concentric circles within the fourth, La Desk Mille-Feuilles (1963), which was lengthy regarded as extremely difficult to construct however has now been realised — a superb show of persistence and accuracy.
Louis Vuitton
In a significant departure from its well-known Objets Nomades line, Louis Vuitton debuted its first House Collections on the storied Palazzo Serbelloni at Milan Design Week 2025. The model’s dedication to wonderful craftsmanship and revolutionary design was mirrored within the exhibition’s 5 separate traces: Objets Nomades, Signature, Video games, Ornament and Artwork de la Desk.
The famend designers Patricia Urquiola, India Mahdavi and the Campana Brothers created 11 new items for Objets Nomades, together with the “Disco Cocoon” chair coated in 10,000 mirrored tiles. Utilizing supplies like leather-based and marquetry, Patrick Jouin and Cristián Mohaded contributed to the Signature assortment, which recreated Louis Vuitton’s well-known codes.
The Video games line launched playful luxurious gadgets, comparable to a pinball machine designed by Pharrell Williams. The Artwork de la Desk and Ornament traces drew inspiration from artist Fortunato Depero and featured vibrant textiles and tableware. A spotlight was the “Cupboard of Curiosities” by Marc Newson, a monogrammed trunk housing 19 leather-lined compartments. This complete assortment underscores Louis Vuitton’s dedication to mixing heritage with up to date dwelling, providing a holistic strategy to luxurious dwelling design.
Armani Casa
Unveiled in Milan’s Salone del Cell, the Armani/Casa 2025 assortment is a superb mix of Italian workmanship and worldwide inspiration. The gathering, “Echoes from the World,” turns Giorgio Armani’s Palazzo Orsini right into a cinematic tour of 5 culturally numerous areas: Europe, China, Japan, Morocco and Arabia. Every room options customized gadgets impressed by regional type, such because the China room’s Vivace desk with its silver-leaf prime and bamboo-like legs, and the Japan room’s Virtù cupboard with its katana-like handles.
The gathering, which makes use of mother-of-pearl, velvet and lacquered glass, highlights handcrafted expertise. Notable items embody the Trocadero desk with its platinum-lacquered waves and plexiglass legs, and the Morfeo mattress with its geometric designs influenced by Berber. This immersive exhibition not solely highlights Armani’s design philosophy but additionally affords a private glimpse into his travels, with curated artefacts from his personal assortment enhancing the narrative.
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