The weekend is perhaps for sleeping in, brunching exhausting, and pretending Monday doesn’t exist — nevertheless it’s additionally a major time for music drops that may slip proper previous you when you’re double-tapping memes. Now that you just’re again at your desk (or doomscrolling in mattress, no judgement), we’re right here to verify your playlist is as stacked as your group chat.

From darkish, thrashing electro-pop to late-night underground vibes, this week’s roster is wall-to-wall artistry. Evelyn’s “Ps” leads the cost, joined by heavy-hitters and rising stars like Chappell Roan, Rema, Hayley Williams, and extra. 

Whether or not you’re within the temper to brood, dance, or simply main-character your commute, right here’s every little thing you missed when you had been residing your weekend life.

Ps – Evelyn 

“Ps” isn’t only a tune you hear — it’s one you sink into. From the primary pulse of its jagged guitars to the push of its hyperpop-infused melodies, it pulls you below like a riptide. The manufacturing is dense but addictive, layering glitchy textures over a beat that feels each pressing and hypnotic, completely mirroring the best way time disappears once you’re deep in your responsible pleasures. It’s the sort of monitor you play as soon as out of curiosity and end up looping all afternoon as a result of it refuses to let go. 

Written throughout a sweltering LA summer time whereas Evalyn was pregnant, it distills that claustrophobic mixture of restlessness, indulgence, and low-key dread right into a darkish pop knockout. The tune marks a fearless shift for her upcoming album A Quiet Life, a mission steeped in transformation and sonic risk-taking. With over a decade of turning private turbulence into pop catharsis, 130 million Spotify streams, and collaborations with digital visionaries like Louis the Little one, Dillon Francis, and Jai Wolf, Evalyn has by no means sounded extra magnetic, extra visceral, or extra unstoppable than she does right here.

The Subway- Chappell Roan

Chappell Roan’s “The Subway” is a neon-lit fever dream that transforms the grind of a every day commute into one thing cinematic. Her signature mixture of theatrical aptitude and unfiltered honesty performs out over lush, swelling synths, every lyric a fleeting snapshot — strangers’ faces, flickering tunnel lights, the sort of revelations that solely floor once you’re in movement. It’s moody, hypnotic, and tailored for these late-night rides when town hums simply outdoors the glass. And whereas it’s model new, her aching chorus that “she bought away” hits with the load of a tune you’ve been singing your entire life.

KELEBU- Rema

“KELEBU” is quintessential ravelord Rema — an artist who’s mastered the soundtrack to youth in movement. It’s a name to bounce, a name to give up to the chaos of spontaneous nights, pushed by band-like drums that pound with a gentle, frenetic power. Rema’s velvety Afrobeats cadence glides over layered percussion and shiny hooks, his distorted vocals melting into the beat itself — a trick he’s championed since HEIS. The result’s swagger in high-definition: magnetic, easy, and able to turning any area right into a dance ground, whether or not you’re packed right into a membership, excessive above town on a rooftop, or misplaced within the rhythm with nothing however your headphones for firm.

Glum- Hayley Williams

“Glum” finds Hayley Williams pulling her arena-sized voice into unusual, intimate territory. She toys with it mercilessly, layering results till it’s virtually unrecognizable — a ghost of its regular energy — solely to strip the vocoder away on the tune’s loudest moments, letting her uncooked, unfiltered bellow crash via. Over sparse, moody instrumentation, each word hangs heavy with unstated ache, turning the monitor right into a slow-burn alt-pop ballad that simmers with melancholy. It’s each restrained and cathartic, the sonic equal of staring on the ceiling at the hours of darkness and letting your ideas drift someplace bittersweet.

On The Low- Tiwa Savage, Skepta

Tiwa Savage and Skepta’s “On The Low” is a late-night rendezvous in tune type — sultry, atmospheric, and steeped in stress. Tiwa’s velvet-smooth vocals weave round Skepta’s razor-sharp bars, the 2 buying and selling verses like glances throughout a crowded room. It’s Afro-fusion with a cinematic edge, excellent for the after-hours.

Shy- Reneé Rapp

All jagged edges and vocal firepower, Reneé Rapp’s BITE ME reduce “Shy” hits like a flashback to the late-90s alt-rock growth, fused with early-2000s pop-punk chew. The refrain is dangerously catchy, its lyrical phrasing made for shouting out of automotive home windows, whereas Rapp’s supply retains the entire thing simmering with perspective. Not each selection lands — the spoken-word bridge over a drumline feels prefer it wandered in from one other tune — however the power, charisma, and unapologetic punch make it a simple repeat for followers who like their pop with grit.

Cabin Feva- ENNY

ENNY’s “Cabin Feva” is an intricate mix of jazzy grooves and whip-smart lyricism. Her supply is so {smooth} it’s straightforward to overlook simply how sharp her observations are, weaving playful rhymes right into a portrait of cabin-bound restlessness. It’s intelligent, laid-back, and brimming with replay worth.

Quick- Demi Lovato

With its dance-pop chassis and a jolt of EDM adrenaline, Demi Lovato’s “Quick” barrels ahead prefer it has someplace pressing to be. Guitars snarl, drums pound, and her vocals slice via the combo with uncooked, simple energy, injecting each line with urgency. The refrain is catchy sufficient to stay on first hear, and the monitor’s high-octane power makes it an ideal blast-while-you-get-ready anthem. Nonetheless, whereas it delivers on influence, some listeners may discover it skews towards the generic, leaning on acquainted pop-rock formulation as an alternative of carving out one thing distinctly Lovato. Both means, once you want a sonic shot of espresso, “Quick” will get the job executed.

What About Love- Cian Ducrot

“What About Love” sees Cian Ducrot at his most cinematic. The piano-led ballad swells right into a hovering refrain that feels tailored for movie credit, along with his voice cracking simply sufficient to let the emotion bleed via. It’s heartfelt, anthemic, and destined to soundtrack somebody’s heartbreak montage.